“We’ll be shooting fire effects, urban settings, establishments, and much more,” adds Bates. Although we’re excited about our initial offering of 3D footage, it is only a small sample and more will be made available in the coming months.”Īrtbeats’ 3D equipment, which includes RED MX cameras on a stereo rig, will expand to include RED Epic cameras and a beamsplitter rig later this year. The combination yielded some incredible footage that is now available on our website. “Our all-pro crew included stereographer, Ken Corben, DP, Doug Holgate and pilot, John Tamburro. “With a 6.5″ interocular, the distance between lenses, we stayed close to our subjects to get the deepest stereo effect,” says Artbeats President and Lead Cinematographer, Phil Bates. On this shoot, two RED MX cameras with Optimo 17-80mm lenses were used to obtain nature imagery and dramatic daytime and nighttime shots of Los Angeles skyscrapers. In keeping with the company’s reputation for innovation, Artbeats became the first production company to utilize Pictorvision’s gyrostabilized eclipse 3D aerial rig, capturing aerials of downtown Los Angeles, Hollywood, Santa Monica, Long Beach and the shores of Catalina. New 3D content will be added monthly, including pyrotechnic, city scene, establishment, winter scene and additional aerial collections. The initial offerings include a variety of nature shots, plus the first S3D aerial stock footage available to the royalty-free market. Full details below.Īnswering the growing demand for 3D elements for television and film, Artbeats, a leader in the production of high quality stock footage, announces the immediate availability of their rapidly growing Stereoscopic 3D (S3D) stock footage library. Need proof of the ubiquity of stereoscopic 3D as a broadcast format? Look no further than stock footage provider Artbeats, which has just added a collection of stereoscopic footage to its online library. Posted by Jim Thacker Artbeats adds S3D footage to royalty-free library
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